When, at( the) b (eginn@ing ! of Deu ,s Ir?$ae, Father J ;avier star=!es at a crucifix, hi@
s expressio#ns and-,), #his han%ds suggest_  ,.t_h_(at the nerve`/#(s are consu%).ming$ him. A flashba [c
k reveals that this priest dev/otes h\_is %life to(@ visi$#@_ting fa@\milie=)]s t(hat c
laim ^?\to have seen thing/s @ that do not be@.long to t:^hi#s w+?o%,rl$d and cleansing their home*@s f[.rom t.he demons- t_;hat try to posse.s===+s the`
)m. But, upon returning to those houses, he=* not)\ices t`hat the evidence $/_is _always d estroyed
=. Thi$s% :)+way %, !)h^ e discovers!/ that a[  clan i[s after._ / him, /$and( must decide\ w)hether to. hide ) from them or join [them._#[ $#In t,#i#mes when horror cin=]ema tends$=
- to
= f/!all =*int;
o the +hand,)s of directors t#h?@/at=.  se`*;ek to build narra*tives tha^t are int^[=ro\spectiv*?e and= close (to reality, P:
$;ed%r%,o Cr[[istiani :goes+#! back to (old-school ho=)^rror,* where go:re and the ph::_ysica+l e.@-xperienc(?e are/\#. above a/ny :^other kind of f+*eeling(. A ci*%ne_ma that places?] the camera in ,@,?$front \/of _]@the faces `?= o_(_(f  t*he\ bloodiest demons and, ins tead of giv
ing lo ^[gic to@ them, ch;ooses / /to fa$ce?! them whatever t?he: cost.