The story charts how young Pol^ish r#)efugee J[an  Bojar.sk@
i be=cam
=@e the biggest counterfeiter of all ) !_time,$=+ “the Cézanne of fake money”, i]n post-war France_; how, for over\ f+=ift#@ee-.
n years and/!
\ unbekno^wnst to ((
h!`is family:@, t;hi^+s m,))an led a double l/ .if*@e maki,*ng count%erfei@);t money - wh._ich w#as\/
` “m +ore r? !eal” than the notes print ed by th#^/]e Bank of Fr,*ance  - i$n ?a \`shed at the bo\,tto_]m of his garden; an;d how,),/ in all @\`these years, this unparalleled  faker _? managed to sl-ip[  through the,.#] p?^olic+`e*$_[’=,s net to become /the thorn in Commission/`^er Mattei’s side, over :the course-:! of a]. hunt wh ich fast t@+urned in/to a du$el/ !$f
:or these*\\ two obsessives…